• 1970's Orange OR80-R
    An extremely rare example of the famous Orange of London branded Matamp, this 2x12 combo features a rare Reverb circuit lending it extra versatility. With a pair of Celestion G12H speakers and controls for high frequency drive and gain, this amp gets raunchy in a way that only an Orange can. The perfect amplifier for a studio looking for a unique sound or a live player looking for a loud and raunchy amp in a combo format. EXC $4,995.
  • 1982 Fender Concert "Blackface"
    An early example of the Rivera-designed Fender Concert 1x12, this amplifier was designed with a push/pull Master volume layout allowing for higher gain than a typical Blackface style amp, but also has found favor with country players and others looking for a loud amp with plenty of headroom. Its compact size and loud volume make this an ideal gigging amp for any working musician. Everything is fully functional and sounding great. VG $700.
  • 1992 ARD/Wizard VC-100 Amplifier
    Built by Rick St. Pierre, amp tech to AC/DC amps, Wizard amps are some of the best Marshall-type amplifiers on the market. This master volume equipped, 100w version was custom made to order and has been housed in a studio environment it's entire life. An incredible sounding amp, this is the ultimate Angus young style head. EXC $3,700.  
  • 1966 Gibson Falcon Amp "Black Alligator"
    A very rare Gibson amplifier this 1966 Falcon is one of 12 examples that shipped with original Black "alligator" tolex instead of the typical brown tolex typically found on Gibson amps of this period. This is an exceptionally clean example that has been professionally serviced and maintained ensuring it sounds great. An ideal amp for any studio or Gibson collector! EXC $1,500.  
  • 1960's Airline 9003 1x12
    Valco amps are likely some of the most recorded amplifiers in rock, and this model 9003 under the Montgomery Ward Airline brand is a perfect example of what people love about these amps. Small and nasty, the distinctive breakup of these amps are perfect for the studio, at home, and even some smaller club settings. This amp like many of these 60's Valco amps has an awesome mid-century design that make as big a visual statement as their sonic one. This amp is missing part of the logo but is in otherwise great cosmetic shape, fully functional and healthy. A great choice for anyone looking to add the distinctive Valco sound to their arsenal. VG $500.  
  • Valvetrain Spring Thing Tube Reverb "Tweed"
    Whether you're looking for a subtle effect or saturated surf-rock levels of 'verb, this tweed-covered, tube-powered unit will deliver! Perfect for studio use or for any amp without an onboard reverb; this is a much lighter and smaller footprint than traditional Fender reverb units, while the tweed covering gives it a classic look that would go perfectly with any stage set up. Hand built in the US, this unit functions perfectly and is in beautiful condition. EXC $500.  
  • 1974 Matamp White W-100 Head
    Originally commissioned to build amps for the London retailer Orange, England's Matamp are behind some of the most iconic rock guitar sounds of the 70's. After the deal with Orange expired, Matamp continued building amplifiers under their own name, as well as for other retailers who would occasionally make reference to the color-themed name applied to their most famous amps, with variations including Green or White. This 1974 100 watt model is one such example. Though cosmetically similar to the early Orange amps, this head has a sound all its own. Extremely rare, these almost never appear for sale in the UK, much less in the States, making this a must for any devout collector of British amplifiers. Extremely clean and fully original, this amplifier was recently featured in a Vintage Guitar magazine article pictured below. The only W-100 we've seen in the store, this amp represents the true pinnacle of Brithsh amp design! EXC w/Road case $6,000. c
  • 2005 Komet Concorde Prototype Amp Ken Fischer designed
    Here's a rare opportunity to own a prototype of the only Ken Fischer circuit designed (for Komet) specifically for EL34s. This is the amp that launched Komet Amplification! Built by Mike Kennedy to be used as the “in-house/shop” demo amp during the development of the Concorde at Komet Amplification. The head was built on 0705 (marked) with no serial number, pre-dating the Ltd Edition KF50 and production Concordes. This house demo amp was used and tested by many musicians during the development of the Concorde, most notably Sonny Landreth, who has used it in concert, in the studio, and in the Komet Koda video. Notable differences between this amp and stock Concorde: Rare 120V/240V slide switch next to the output transformer Still set up as Mike had it with NOS EL34s and ECC83/12AX7s Built on old-style, water-cut, version 2 chassis (pre laser cut) Amp measures 50-60 watts clean RMS at clipping (3-4 on volume knob) Mint condition EXC w/Cover $3,000.         
  • Electro-plex Rocket 90
    Introduced in 1994, the Rocket 90 was designed for fans of the Fender Twin who wanted a little more control of that much power. At 90w that can be dropped to 50, this 1x15" combo is a powerful and versatile combo with plenty of headroom and gain when you need it. A fantastic choice for studio and live use, this is a stellar boutique amp in great condition. EXC $1,200. 
  • Electro-plex Rocket 35
    A leader in boutique amplifier designs, Electro Plex amps are used by a host of professional players looking for a versatile amplifier that can handle whatever you throw its way. With a powerful 35w output that can be dropped to half power, 5881 power tubes, and an onboard spring reverb, this amp is ready for any situation! This example is in fantastic cosmetic condition and works great! EXC $1,500.
  • Morgan Amps SW 50
    This 50w amplifier features 2 6L6 tubes and delivers a clear, articulate tone perfect for live and studio use. It accepts pedals wonderfully and can be heard onstage and in the studio without countless Country stars in Nashville. This amplifier is lightly used and includes the original hangtag. A fantastic amp built for the needs of the modern guitar player. EXC $1,350. 
  • 1973 Fender Twin Reverb Amp "Silverface"
    A true classic amp design, the Silverface Twin is the perfect size and volume for just about any setting! An early 70's model, this amplifier comes from the original owner, and has had the speakers and baffle board replaced. With the distinctive sound of Fender Reverb and tremolo on hand, this amp still has plenty of clean headroom and responds well to any pedals you can put in front of it. VG $1,400. 
  • 1969 Vox AC-30 "Gray Panel"
    One of the most iconic amplifier designs, the AC-30 has been seen on stage and in studios behind countless legendary players. This "gray pannel" example from 1969 features the coveted Blue Alnico speakers that give this amp the distinctive "Chime" that made it famous. An added effects loop was later removed, leaving two small jack plates on the back, but this is otherwise an original amp that has been serviced and is ready for many more years of use! VG $2,500. 
  • 1960s Maestro M-216 RVT
    This is a rare, Gibson-made Maestro M-216 RVT amplifier. With a single 15" Jensen speaker, as well as onboard Reverb and Tremolo, this is an extremely versatile combo amp for live or studio use. This amp is fully functional and in great shape. EXC $1,000.
  • 1959 Watkins Westminster
    This amp has been in our store collection for some time and original comes from a personal friend and associate of Charlie Watkins himself! The same model used by the Beatles in early Hamburg performances, these amps truly capture the rock tones heard on so many British records of the 60's and 70s. A killer amp for any studio, this one owner example is in fantastic shape; perfect for a studio or collector. EXC $2,000
  • Lazy J 20 "Tweed"
    One of the beset sounding 5E3 type amplifiers we've had, this Lazy J 20 is a faithful recreation of the coveted Tweed Deluxe. With the addition of a great sounding and user-friendly reverb circuit make this a very versatile amp for stage or studio use. EXC w/Cover $3,000.
  • 1964 Fender Concert "Blackface"
    A fantastic sounding "Blackface" era Fender, the 4x10" concert is the perfect size for any live situation! This '64 model features a Fender "electric Instruments" branded face plate, and was outfitted with WGS" Speakers by a previous owner. The onboard vibrato works and sounds perfect, and from shimmery Fender cleans to a musical break up, this is an extremely versatile amp! VG $1,500.
  • 1964 Vox AC-50 Head
    An incredibly clean and great sounding, JMI-era AC-50, this "Gray Panel" head was kept in a studio environment and has been professionally serviced and maintained. Great for bass as well as guitar, this amp includes a flight case. EXC $1,800.
  • 2018 Park P45 "British Racing Green"
    The ultimate Bluesbreaker style amp! This Park P45 is as close to a vintage 2x12 JTM45 as it gets. With NOS Merren Transformers and a pair of Celestion 12" greenbacks, this amp truly captures the tone of the Clapton-era John Mayall recordings. This example sports a beautiful "British Racing Green" tolex. Simply put, this is one of the best new British-style amplifiers available today! MSRP $4,500
  • S2 Amplification modded Fender Blues JR "Tweed"
    This incredible sounding amplifier started life as a Fender Blues Jr. It retains the original power transformer and speaker, but everything else has been modified by Steve Scott of S2 amplification. This amp has the "Jim and Leo" circuit, which combines an 18w Marshall and Fender Deluxe circuit in one 2-channel amplifier. The lacquered tweed cabinet gives this amp a killer vintage appearance and both channels provide gig-worthy tones. A ferocious amplifier in a small package! EXC $1,350