• 1964 Fender Concert "Blackface"
    A fantastic sounding "Blackface" era Fender, the 4x10" concert is the perfect size for any live situation! This '64 model features a Fender "electric Instruments" branded face plate, and was outfitted with WGS" Speakers by a previous owner. The onboard vibrato works and sounds perfect, and from shimmery Fender cleans to a musical break up, this is an extremely versatile amp! VG $1,500.
  • 1959 Fender Tremolux "Tweed"
    One of the best sounding Tweed circuits, the "narrow pannel" Tremolux is a favorite for small gigs and recording sessions. This '59 example has been professionally maintained and sounds incredible! The original Jenson speaker, tremolo circuit and footswitch make this a complete example perfect for any studio or collector. EXC $3,600
  • 1971 Ampeg GV-22 Gemini
    One of the cleanest VT-series amps we've ever seen, this '71 Gemini is the perfect amp for classic Sticky Fingers and Exile - era Stones sounds! With a great reverb and tremolo, as well as original 2x12" speakers, footswitch, and treble and mid boost rocker switches, this is a highly versatile amp. EXC $600
  • Ebo Customs Del Rio and Rockshow Amplifiers
    Rumble Seat Music is proud to carry Nashville's own Ebo Customs line of amplifiers. The Del Rio combo and Rockshow head can be seen on stages around the world with legends like Billy Gibbons, Vince Gill, Joe Walsh, and more! Come by and see why these amps have made themselves a staple of so many great player's rigs.
  • 2008 Gibson GA-20 RVT
    A fantastic 2x12 amplifier, this Gibson GA-20 RVT comes from the original owner. It is is fantastic condition and includes the original footswitch. A versatile tube combo amp that would make a perfect compliment to any Gibson guitar! EXC $650.
  • Carr Rambler 2x12 Amp "Blonde"
    One of the better sounding "Boutique" amplifiers we've had, this 2x12 Carr Rambler is a handwired "American" voiced amp with a lush tremolo on board. Perfect for club gigs, this is an extremely versatile amp that holds it's own with the best vintage models. EXC $1,800.
  • 2013 Ampeg Heritage B-15 Flip-Top
    Part of a limited run of only 250 amplifiers, this Heritage B-15 flip top is a faithful reissue of one of the most recorded bass amps of all time! From Motown and Stax to countless rock n' roll records, the B-15 has long been sought after by bass players, and in 2013 Ampeg reissued this model in a run that sold out immediately. This like-new example is number 61, and includes all the original hang tags, manuals, and cables. EXC $2,500.
  • 1964 Vox AC-50 Head
    An incredibly clean and great sounding, JMI-era AC-50, this "Gray Panel" head was kept in a studio environment and has been professionally serviced and maintained. Great for bass as well as guitar, this amp includes a flight case. EXC $1,800.
  • 1962 Gibson RVT 79 Multi-Stereo
    Built as a companion amp for the Stereo guitars of the early 1960's, the RVT 79 is a truly unique Gibson combo. With a pair of blue Jensen speakers and distinctive wedge shape, this amp can be run in both mono and stereo modes, and includes inputs for everything from guitars to phonographs. Like all Gibson combos from this period, the breakup is rich and musical and the volume suitable for any situation! This is one of the cleanest 1960's Gibson combos we've had and is in perfect working condition. EXC $3,700.
  • 1965 Selmer Thunderbird "Crocodile"
    One of the cleanest Selmer amplifiers we've ever seen! This 1965 Thunderbird 2x12 model includes a pair of original Goodman speakers, as well as the original footswitch and Selmer amp acover! The 30w combo features a rich tremolo circuit and a distinctive "British" tone that has been the back bone of so many classic rock n' roll records! An incredible one-owner amplifier, this amp would be perfect for a collector or a studio! EXC w/Cover $4,500
  • Trace Eliot 4x12 guitar cabinet
    A great sounding angled 4x12 cabinet, this Trace Eliot cabinet features a mono/stereo toggle option allowing for easy stereo rigs or use with multiple amplifiers. The cabinet is used but fully functional and ready for stage or studio use! EXC $600
  • 2018 Park P45 "British Racing Green"
    The ultimate Bluesbreaker style amp! This Park P45 is as close to a vintage 2x12 JTM45 as it gets. With NOS Merren Transformers and a pair of Celestion 12" greenbacks, this amp truly captures the tone of the Clapton-era John Mayall recordings. This example sports a beautiful "British Racing Green" tolex. Simply put, this is one of the best new British-style amplifiers available today! MSRP $4,500
  • S2 Amplification modded Fender Blues JR "Tweed"
    This incredible sounding amplifier started life as a Fender Blues Jr. It retains the original power transformer and speaker, but everything else has been modified by Steve Scott of S2 amplification. This amp has the "Jim and Leo" circuit, which combines an 18w Marshall and Fender Deluxe circuit in one 2-channel amplifier. The lacquered tweed cabinet gives this amp a killer vintage appearance and both channels provide gig-worthy tones. A ferocious amplifier in a small package! EXC $1,350
  • 1960s Ampeg GS-12R Reverberocket 2 "Blue Diamond"
    An incredible sounding 12w Combo Amp, this mid-60's Reverborocket 2 features a lush Reverb and tremolo and a single 12" speaker. Phenomenal clean sounds and a fantastic breakup at higher volumes, this amp is perfect for studio use as well as small live shows. EXC $850
  • 1960 Gibson GA-77 Vanguard "Tweed"
    Gibson Tweed amps are some of our favorite sounding combo amplifiers around. This incredible GA-77 Vanguard model features an original 15" speaker and inputs for accordian and guitar. Aggressive sounding and articulate, this would be a perfect amp for recording and small club gigs. EXC $2,100
  • 1978 Fender Deluxe Reverb Amp "Silverface"
    One of the most frequently used combo amps of all time, the Deluxe Reverb is the perfect sized amp for recording or small club gigs. This 1977 example sounds fantastic, and having recently been serviced is ready for stage or studio action. With a rich and full reverb, and a perfectly broken-in 12" speaker, this amp delivers the sound for which these are sought after. EXC $1,800
  • 1952 Gibson GA-50T
    The Gibson GA-50 is a true classic in the amp world. It can hold its own with any of the classic amps. It has just about 25W of tube driven power along with one of the first tremolo circuits. It has two speakers, a Jensen 12" and 8", which are behind the vertical slat front. It looks stunning in a brown leather covered cabinet. Gibson used separate bass and treble controls and included a grounded power cord. This amp is a total winner! EXC $2500
  • Park 1800 Combo
    The Park P1800 is based on the Watkins Dominator and also brings it to an even new level or aggressive rock tones. Carefully built with New Old Stock capacitors and resistors, an output transformer built in the UK to the exact specifications and sound quality as the original Radio Spares EL84 output transformer and a custom speaker that uses a celestion Blue alnico frame and magnet as it's base but with a different cone that truly is in a class of its own. Two channels each with Volume and Tone controls. voiced slightly differently One channel has a rich tremolo circuit with Speed and Intensity controls Two speaker output with a switch for 8 and 16 ohms Foot switch for tremolo is included and is plugged into a jack on the chassis bottom Two EL84 tubes for 18 watts at full clipping Three 12AX7s https://www.instagram.com/p/BkyLSJwH27T/?taken-by=rumbleseatmusic
  • Colby Lil Darlin
    The Colby Lil' Darlin is the perfect recording and practice amp. The hand wired Lil’ Darlin is based on a highly sought-after and ubiquitous 1950s three tube, single 6V6, 8” speaker combo (also known as a Tweed Champ) but takes it to a new level of tone and usability. By using classic build quality, high quality parts with strategic circuit modifications plus a high quality Weber Alnico magnet speaker, the Lil’ Darlin offers great clean sounds and great Class A overdrive at living room levels. The Lil’ Darlin has been carefully fine tuned so that it has many “sweets spots” while only using a single Volume control.
  • Park Rock Head 50
    The Rock Head 50 is a channel switching version of our, big tone, hand wired amplifiers. Based on the vintage Park Rock Head from the 1970s, the new Rock Head 50 offers what original 1970s Master Volume amps never offered; channel switching with both great clean and overdrive sounds with independent level control. The Rock Head 50 is capable of beautiful, sparkling clean tones, overdriven blues from a hint of OD to full-blown OD and classic rock sounds; all at any volume level. Belying its simple control layout, the RH50 has some clever circuitry which allows it to perform it’s magic. Using the PPIMV (Post Phase Inverter Master Volume), the clean channel offers a variety of clean tones in addition to moderate crunch. Its great for overdriven chords. Unlike most amps with a “high gain” OD channel, the Rock Head’s OD channel’s can be used as a second clean channel or produce bluesy overdrive to classic rock with just Gain and Master controls and no extra gain switches. Also included are three push-pull pots for the following functions: Clean channel Bright switch, OD channel "Mellow" switch and OD channel "Aggressive" switch. By using the two OD channel push-pull pots this channel is capable of everything from a warm bluesy overdrive to a 1980s Master Volume type crunch to aggressive lead distortion.