• 1960 Ampeg Jet
    An incredible sounding, early Jet model Ampeg 1x12 combo, this amp has a rich and musical breakup not unlike a Fender Tweed amp. It also features a lush tremolo circuit that is fully functional. A perfect recording amp! EXC $850
  • 1961 Gibson/Maestro GA-1 RT Reverb-Echo "Tweed"
    This is an incredibly rare, Gibson-made Maestro GA-1 RT amplifier that can double as an external Reverb Tank and Tremolo unit. Pre dating Fender's Reverb tank by a few months, this is different in that with it's own speaker it can also be used as an all in one Amplifier. Fully functional with a deep reverb and prominent tremolo, this example also includes the original footswitch. EXC $550
  • 1960s Ampeg GS-12R Reverberocket 2 "Blue Diamond"
    An incredible sounding 12w Combo Amp, this mid-60's Reverborocket 2 features a lush Reverb and tremolo and a single 12" speaker. Phenomenal clean sounds and a fantastic breakup at higher volumes, this amp is perfect for studio use as well as small live shows. EXC $850
  • 1966 Fender Vibrolux Reverb "Blackface"
    One of the most desired "Blackface" Fender circuits, this 1966 Vibrolux Reverb is the perfect sized amp for both live performance and studio use. With a pair of Weber speakers, an incredible sounding reverb and tremolo, this amp can do everything from classic country to aggressive rock n' roll at a volume perfect for most clubs. EXC $2,450
  • 1960 Gibson GA-77 Vanguard "Tweed"
    Gibson Tweed amps are some of our favorite sounding combo amplifiers around. This incredible GA-77 Vanguard model features an original 15" speaker and inputs for accordian and guitar. Aggressive sounding and articulate, this would be a perfect amp for recording and small club gigs. EXC $2,100
  • 1978 Fender Deluxe Reverb Amp "Silverface"
    One of the most frequently used combo amps of all time, the Deluxe Reverb is the perfect sized amp for recording or small club gigs. This 1977 example sounds fantastic, and having recently been serviced is ready for stage or studio action. With a rich and full reverb, and a perfectly broken-in 12" speaker, this amp delivers the sound for which these are sought after. EXC $1,800
  • 1984 Dumble OD-50 Overdrive Special
    This was personally owned by Billie Joe Armstrong from Green Day. It was then purchased from him by Joe Bonamassa. Joe used this extensively on the road and on albums. This also comes with the original speaker. This is one of the best, celebrity owned, sounding Dumble amps we have heard in a long time! EXC $95,000   https://youtu.be/rNvOUmwPiUQ?t=2112
  • 1951 Fender Pro Amp
    This is a perfect players amp. This has been professionally recovered and it looks great. This guts of the amp are all original, including the 15" Jensen Alnico speaker. These old TV front tweeds absolutely rip and this one is no different. It screams and the 15" speaker gives it a full bottom end. This amp is ready to hit the stage! EXC $2200    
  • 1962 Fender Deluxe Amp "Brown Face"
    An incredible sounding "brown face" Fender Deluxe, this 1962 model is the perfect amp for recording or small gigs. With a newer 12" Weber speaker, and a rich, musical break up, this amp sounds great with any type of guitar! The amp has an upgraded 3-prong cable and has been professionally serviced, so it's ready to go! The "brown" era Fender's are some of our favorites, and this is no exception. EXC $2,600
  • 1952 Gibson GA-50T
    The Gibson GA-50 is a true classic in the amp world. It can hold its own with any of the classic amps. It has just about 25W of tube driven power along with one of the first tremolo circuits. It has two speakers, a Jensen 12" and 8", which are behind the vertical slat front. It looks stunning in a brown leather covered cabinet. Gibson used separate bass and treble controls and included a grounded power cord. This amp is a total winner! EXC $2500
  • 1961 Fender Vibrolux "Brownface"
    One of the most desirable "Brownface" Fender amps, this fully original example is as clean as they come. The brown tolex is in great shape, and the sought-after "true-pitch" vibrato/tremolo function provides a rich pitch-shift effect. This was the amp used on famous recordings like "Sultan's of Swing" and others; a perfect sized amp for both gigs and studio dates. EXC $3,995
  • Park 1800 Combo
    The Park P1800 is based on the Watkins Dominator and also brings it to an even new level or aggressive rock tones. Carefully built with New Old Stock capacitors and resistors, an output transformer built in the UK to the exact specifications and sound quality as the original Radio Spares EL84 output transformer and a custom speaker that uses a celestion Blue alnico frame and magnet as it's base but with a different cone that truly is in a class of its own. Two channels each with Volume and Tone controls. voiced slightly differently One channel has a rich tremolo circuit with Speed and Intensity controls Two speaker output with a switch for 8 and 16 ohms Foot switch for tremolo is included and is plugged into a jack on the chassis bottom Two EL84 tubes for 18 watts at full clipping Three 12AX7s https://www.instagram.com/p/BkyLSJwH27T/?taken-by=rumbleseatmusic
  • Colby Lil Darlin
    The Colby Lil' Darlin is the perfect recording and practice amp. The hand wired Lil’ Darlin is based on a highly sought-after and ubiquitous 1950s three tube, single 6V6, 8” speaker combo (also known as a Tweed Champ) but takes it to a new level of tone and usability. By using classic build quality, high quality parts with strategic circuit modifications plus a high quality Weber Alnico magnet speaker, the Lil’ Darlin offers great clean sounds and great Class A overdrive at living room levels. The Lil’ Darlin has been carefully fine tuned so that it has many “sweets spots” while only using a single Volume control.
  • Park Rock Head 50
    The Rock Head 50 is a channel switching version of our, big tone, hand wired amplifiers. Based on the vintage Park Rock Head from the 1970s, the new Rock Head 50 offers what original 1970s Master Volume amps never offered; channel switching with both great clean and overdrive sounds with independent level control. The Rock Head 50 is capable of beautiful, sparkling clean tones, overdriven blues from a hint of OD to full-blown OD and classic rock sounds; all at any volume level. Belying its simple control layout, the RH50 has some clever circuitry which allows it to perform it’s magic. Using the PPIMV (Post Phase Inverter Master Volume), the clean channel offers a variety of clean tones in addition to moderate crunch. Its great for overdriven chords. Unlike most amps with a “high gain” OD channel, the Rock Head’s OD channel’s can be used as a second clean channel or produce bluesy overdrive to classic rock with just Gain and Master controls and no extra gain switches. Also included are three push-pull pots for the following functions: Clean channel Bright switch, OD channel "Mellow" switch and OD channel "Aggressive" switch. By using the two OD channel push-pull pots this channel is capable of everything from a warm bluesy overdrive to a 1980s Master Volume type crunch to aggressive lead distortion.
  • Mesa Boogie Bass 400+ Head w/ Road Case
    A fantastic sounding and very powerful bass rig, this 400+ is a 400w tube amp with custom fit road case. A road worthy amp perfect for any situation where the bass needs to be heard! EXC w/road case $1000
  • Plush P1000S w/ Slave-Multiplex
    Plush 1000s 70s 100 watt tube amp Super clean stack. Comparable to a Fender Showman Loud! $1995
  • Vox AC30
    1972 AC-30 from the Bich-Stolec era. Top Boost. Removed reverb tank. $2,250    
  • Ampeg J-12T
    This little amp has 2 EL84s and 2 - 12AX7s in the preamp.  A 12" speaker, tremolo with intensity and speed controls, and reverb. $495    
  • JMI JMT1 "Prototype" Bass Amp
    This is a prototype amplifier based off of Paul McCartney's Vox used in the early Beatles days. This is an incredibly rare recreation of his schematics and sounds incredible, this is the only one ever produced and was on Display at the NAMM show. A Rare amp for any Beatles Collector or Collection! EXC $3200